So, we have seen how
using alorithmic tools, basically,
we can operate on motifs,
and patterns, and create
beautiful music.
But why is this music beautiful?
And for this, we need to better understand
how pitches relate to each other.
And how, in this broader framework
of the geometry of pitch,
this number space of notes and
frequencies, what makes a combination
sound good, or sound any particular
way, according to the underlying structure
of our musical space, but also of our
perceptions.
And we will see this in the next unit.